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646f9e108c A young woman and her brother explore the history of their grandfather, who died in the WW2. They start contacting the m'en who flew with him, asking them about who he was.
26 year old Kentaro discovers his biological grandfather died as a kamikaze pilot during WW2. He and his sister begin an investigation into what kind of person he was, interviewing men who fought with him. There follows the story of Japanese Navy Air Service Platoon Sergeant Miyabe, as told by four of the men who knew him best. Intricately woven the film follows him through Pearl Harbor, the Midway Battle and the Battle for Okinawa. When he finally loses his will and respect for life he enrolls in the Special Attack Force and passes his responsibility to return to his wife and infant daughter on to a younger pilot. An engaging tale of a man brave enough to challenge accepted ways of thinking.
We heard it all before: enemies are people too who have families to which they long to return. But rarely do we see the protagonist change his mind about going home at the last moment. Love, sacrifice, promises, priorities, obligations, guilt, consequences. How important are these things at time of war? Less? Or more? Which takes precedence? Why? And who's to say? 60 years after the war is probably a good time to ask these questions. Not ancient enough that everyone that was there are dead and not recent enough that it still hurts (badly).
The dinner conversation that ended abruptly with the diners comparing Kamikaze pilots and modern-day suicide bombers was a particularly good call by the filmmakers. I would put this in one of
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646f9e108c During World War II, the spoiled son of a wealthy businessman finds himself involved in the guerrilla movement fighting against the Japanese, and finds romance and adventure.
"Cry of Battle" is definitely a different sort of war movie. Clearly, it's NOT the sort of film you would have seen during WWII and even in 1963, it was pretty adult and modern in its sensibilities.
When the film begins, David is living with his rich family in the Philippines when WWII breaks out. He's nearly killed by a group of thugs--after all, law and order have disintegrated. But he's fortunately saved by some Filipino insurgents--men who have taken to the countryside to fight a guerilla war against the invaders from Japan. However, one of these benefactors, Joe (Van Heflin) is a completely amoral sort of guy. Sure, he'll fight and kill the enemy but David is horrified to find out that he's also just raped a local girl! David naturally hates him but is forced to stick with him due to the war. Over time, they fall in with another group of rebels and David's naivete about these people and war is challenged, as he finds Joe isn't the exception to the rule...there are many others with severely challenged moral compasses...to say the least. Can David manage to remain morally pure while also becoming a man who must kill? And what of his lady, Sisa (Rita Moreno)?
I am a bit surprised that Van Helfin agreed to play such a sleazy character. As a supporting actor, of course he had to play jerks now and then...but a rapist? It certainly is one of his more challenging portrayals!
Overall, a very good but strange war film.